By Claude Schumacher
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Additional info for Alfred Jarry and Guillaume Apollinaire
L'Ymagier was devoted to the publication of original prints, woodcuts, engravings and Iithographs by Jarry, de Gourmont, Rousseau and other popular or religious artists, while Perhinderion 's programme consisted of the reproduction, plate by plate, of the complete engravings of Albrecht Dürer. Jarry's health had never been strong, and the physical exertion, added to his obvious mental distress while serving his country, took its toll. That he malingered while serving the higher interests of France is beyond doubt, but by the time he was discharged, on 14 December 1895, just in time to catch the first performance of Lumiere's cinematograph at the Grand Cafe on Christmas Day, he was genuinely iII.
In the following year, van Gogh committed suicide. In June 1881 Madame Jarry moved to Paris, where Alfred hoped to ga in entrance to the prestigious Ecole Normale Superieure. Despite several attempts, he never succeeded - a failure for which we are grateful for otherwise we should be deprived of Jarry's work. 1891 was another year of unrest. On 1 May, at Fourmies (Ardennes), 1500 strikers from a foundry took to the street in a peaceful demonstration, urging fellow workers from other factories to come out in sympathy.
In Ubu roi he is blasted to smithereens at appropriate moments only to reappear seconds later, stronger than ever. He is driven out of Poland, but reappears elsewhere. Jarry kills hirn as often as he should logically die, but brings hirn back for new episodes, because the logic of the fable requires his presence. The other characters in the plays are deliberately drawn as caricatures of conventional tragic dramatis personae, with the exception of Ma Ubu, who is Pa Ubu's ideal female counterpart.
Alfred Jarry and Guillaume Apollinaire by Claude Schumacher